Introduction to the Theatre

Textbook:

Cohen, Robert. Theatre. 4th ed. Mountain View, California: Mayfield Publishing, 1997.

Course Philosophy:

Everyone should have an understanding of Theatre "...whose end, both at the first and now, was and is to hold the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure..."

[Hamlet Act III; Scene II]

Grading: Points/grades:

1st test

15%

Midterm Test

25%

3rd Test

15%

Final Examination

25%

Production Participation

15%

Production participation

Students shall be expected to participate in the production of in-class presentations. This means that students will have to act, design, direct, or do technical work. Participation points shall NOT be awarded to those who do not participate in these production efforts.

Participation in in-class, group exercises cannot be "made-up".

Disruption of class is unacceptable.

The first instance will be reprimanded.

The second instance will be cause for dismissal from class with a loss of participation points for the day it occurs.

The third instance will be cause for expulsion from the course.

Plagiarism and cheating, the theft of another's ideas, will be prosecuted as harshly as possible.

Quality Standards for SE110: Introduction to the Theatre as taught by John O. Phipps-Winfrey

Test materials [Cognitive Domain]:

  1. The student shall demonstrate the ability to identify the definition(s) of the term theatron.

  2. The student shall demonstrate the ability to identify the definition(s) of a theater.

  3. The student shall demonstrate the ability to identify the definition(s) of the term dran.

  4. The student shall demonstrate the ability to identify the definition(s) of a company of actors.

  5. The student shall demonstrate the ability to identify the definition(s) of theatrical space.

  6. The student shall demonstrate the ability to identify the definition(s) of the term audience.

  7. The student shall demonstrate the ability to identify the definition(s) of acoustics.

  8. The student shall demonstrate the ability to identify the definition(s) of a troupe of players.

  9. The student shall demonstrate the ability to identify the definition(s) of acting.

  10. The student shall demonstrate the ability to identify the definition(s) of directing.

  11. The student shall demonstrate the ability to identify the definition(s) of set construction.

  12. The student shall demonstrate the ability to identify the definition(s) of set design.

  13. The student shall demonstrate the ability to identify the definition(s) of the phrase running a show.

  14. The student shall demonstrate the ability to identify the definition(s) of producing.

  15. The student shall demonstrate the ability to identify the definition(s) of directing.

  16. The student shall demonstrate the ability to identify the definition(s) of stage management.

  17. The student shall demonstrate the ability to identify the definition(s) of house management.

  18. The student shall demonstrate the ability to identify the definition(s) of playwriting.

  19. The student shall demonstrate the ability to identify the definition(s) of costuming.

  20. The student shall demonstrate the ability to identify the definition(s) of properties.

  21. The student shall demonstrate the ability to identify the definition(s) of duration.

  22. The student shall demonstrate the ability to identify the definition(s) of genre.

  23. The student shall demonstrate the ability to identify the definition(s) of comic vision.

  24. The student shall demonstrate the ability to identify the definition(s) of tragic vision.

  25. The student shall demonstrate the ability to identify the definition(s) of the personal vision of reality.

  26. The student shall demonstrate the ability to identify the definition(s) of dialogue.

  27. The student shall demonstrate the ability to identify the definition(s) of stage directions.

  28. The student shall demonstrate the ability to identify the definition(s) of personal vision of reality.

  29. The student shall demonstrate the ability to identify the definition(s) of theme.

  30. The student shall demonstrate the ability to identify the definition(s) of characters.

  31. The student shall demonstrate the ability to identify the definition(s) of flat characters.

  32. The student shall demonstrate the ability to identify the definition(s) of protagonist.

  33. The student shall demonstrate the ability to identify the definition(s) of antagonist.

  34. The student shall demonstrate the ability to identify the definition(s) of stock character.

  35. The student shall demonstrate the ability to identify the definition(s) of spine (throughline).

  36. The student shall demonstrate the ability to identify the definition(s) of conflict.

  37. The student shall demonstrate the ability to identify the definition(s) of confrontation.

  38. The student shall demonstrate the ability to identify the definition(s) of crisis.

  39. The student shall demonstrate the ability to identify the definition(s) of climax.

  40. The student shall demonstrate the ability to identify the definition(s) of resolution (denouement).

  41. The student shall demonstrate the ability to identify the definition(s) of plot.

  42. The student shall demonstrate the ability to identify the definition(s) of exposition.

  43. The student shall demonstrate the ability to identify the definition(s) of point of attack.

  44. The student shall demonstrate the ability to identify the definition(s) of build.

  45. The student shall demonstrate the ability to identify the definition(s) of anticlimax.

  46. The student shall demonstrate the ability to identify the definition(s) of epilogue.

  47. The student shall demonstrate the ability to identify the definition(s) of agon.

  48. The student shall demonstrate the ability to identify the definition(s) of allegory.

  49. The student shall demonstrate the ability to identify the definition(s) of anagnorisis/recognition.

  50. The student shall demonstrate the ability to identify the definition(s) of catharsis.

  51. The student shall demonstrate the ability to identify the definition(s) of comic relief.

  52. The student shall demonstrate the ability to identify the definition(s) of conventions.

  53. The student shall demonstrate the ability to identify the definition(s) of double plot, subplot, and simultaneous plot.

  54. The student shall demonstrate the ability to identify the definition(s) of hamarita/hubris.

  55. The student shall demonstrate the ability to identify the definition(s) of monologue.

  56. The student shall demonstrate the ability to identify the definition(s) of play-within-a-play.

  57. The student shall demonstrate the ability to identify the definition(s) of reversal/peripetia.

  58. The student shall demonstrate the ability to identify the definition(s) of soliloquy.

  59. The student shall demonstrate the ability to identify the definition(s) of sub-text.

  60. The student shall demonstrate the ability to identify the definition(s) of transition.

  61. The student shall demonstrate the ability to identify the definition(s) of blocking.

  62. The student shall demonstrate the ability to identify the definition(s) of stage business.

  63. The student shall demonstrate the ability to identify the definition(s) of stage movement.

  64. The student shall demonstrate the ability to identify the definition(s) of climactic structure.

  65. The student shall demonstrate the ability to identify the definition(s) of episodic structure.

  66. The student shall demonstrate the ability to identify the definition(s) of situational structure.

  67. The student shall demonstrate the ability to identify the definition(s) of tragicomedy.

  68. The student shall demonstrate the ability to identify the definition(s) of melodrama.

  69. The student shall demonstrate the ability to identify the definition(s) of farce.

  70. The student shall demonstrate the ability to identify the definition(s) of adaptations.

  71. The student shall demonstrate the ability to identify the definition(s) of epic theatre.

  72. The student shall demonstrate the ability to identify the definition(s) of the alienation effect.

  73. The student shall demonstrate the ability to identify the definition(s) of ritual.

  74. The student shall demonstrate the ability to identify the definition(s) of myth.

  75. The student shall demonstrate the ability to identify the definition(s) of sympathetic magic.

  76. The student shall demonstrate the ability to identify the definition(s) of the term shaman.

  77. The student shall demonstrate the ability to identify the definition(s) of ritual.

  78. The student shall demonstrate the ability to identify The Ritual of Osirus.

  79. The student shall demonstrate the ability to identify The Ritual of Dionysos.

  80. The student shall demonstrate the ability to identify the definition(s) of the dance circle.

  81. The student shall demonstrate the ability to identify the definition(s) of tragoi.

  82. The student shall demonstrate the ability to identify Dionysos.

  83. The student shall demonstrate the ability to identify a satyr.

  84. The student shall demonstrate the ability to identify the origins of satire.

  85. The student shall demonstrate the ability to identify the origins of tragedy.

  86. The student shall demonstrate the ability to identify the stated importance of the Epic of Gilgamesh.

  87. The student shall demonstrate the ability to identify the plot of the Epic of Gilgamesh.

  88. The student shall demonstrate the ability to identify the stated importance of the Hindu Vedas.

  89. The student shall demonstrate the ability to identify the time period in which Greek writing developed

  90. The student shall demonstrate the ability to identify the plot of the Homeric Illiad.

  91. The student shall demonstrate the ability to identify the date given for the evolution of Homo Habilis.

  92. The student shall demonstrate the ability to identify the date given for the evolution of Cro-Magnon man.

  93. The student shall demonstrate the ability to identify the date given for the beginnings of prehistoric art.

  94. The student shall demonstrate the ability to identify the composition of Greek rituals.

  95. The student shall demonstrate the ability to identify the definition(s) of dithyrambos.

  96. The student shall demonstrate the ability to identify the number of Greek tribal orgia a year.

  97. The student shall demonstrate the ability to identify the sites of orgia celebrations.

  98. The student shall demonstrate the ability to identify the main costume element found in orgia.

  99. The student shall demonstrate the ability to identify the use of masks as a factor in orgia.

  100. The student shall demonstrate the ability to identify the use of drinking and drugs as a factor in orgia.

  101. The student shall demonstrate the ability to identify the area in Greece, which gave birth to Greek theatre.

  102. The student shall demonstrate the ability to identify the definition(s) of tetralogies.

  103. The student shall demonstrate the ability to identify first actor.

  104. The student shall demonstrate the ability to identify the beginning number of chorus members.

  105. The student shall demonstrate the ability to identify to identify the average number of chorus members at the end of Greece's Golden Era of Theatre.

  106. The student shall demonstrate the ability to identify the average number of actors at the end of Greece's Golden Era of Theatre

  107. The student shall demonstrate the ability to identify a method used for increasing vocal timbre that was used by the Greeks.

  108. The student shall demonstrate the ability to identify the definition(s) of periaktoi.

  109. The student shall demonstrate the ability to identify the definition(s) ekkylemma.

  110. The student shall demonstrate the ability to identify the definition(s) deux et machina.

  111. The student shall demonstrate the ability to identify a roman slapstick).

  112. The student shall demonstrate the ability to identify the major hallmark of Roman theatre.

  113. The student shall demonstrate the ability to identify the major reasons for the fall of the Roman theatre.

  114. The student shall demonstrate the ability to identify the definition(s) of bacchanalia.

  115. The student shall demonstrate the ability to identify the time span of the Medieval theatre.

  116. The student shall demonstrate the ability to identify the author of The Birds.

  117. The student shall demonstrate the ability to identify the author of Oedipus Rex.

  118. The student shall demonstrate the ability to identify the first censor of Rome.

  119. The student shall demonstrate the ability to identify the era in which the Theater of Pompey was established.

  120. The student shall demonstrate the ability to identify the name of the "last roman playwright".

  121. The student shall demonstrate the ability to identify the name of the "first Medieval playwright".

  122. The student shall demonstrate the ability to identify the definition(s) of didactic.

  123. The student shall demonstrate the ability to identify the definition(s) of propaganda.

  124. The student shall demonstrate the ability to identify the definition(s) of vernacular plays.

  125. The student shall demonstrate the ability to identify the definition(s) of cycle (mystery) plays.

  126. The student shall demonstrate the ability to identify the definition(s) of morality plays.

  127. The student shall demonstrate the ability to identify the qualities and qualifications of medeival Actors.

  128. The student shall demonstrate the ability to identify the definition(s) of giuldsmen.

  129. The student shall demonstrate the ability to identify the medieval Wagon stage.

  130. The student shall demonstrate the ability to identify the sections of the medieval Fixed Stage

  131. The student shall demonstrate the ability to list the components of tetralogies

  132. The student shall demonstrate the ability to list the criteria used to judge tragic actors.

  133. The student shall demonstrate the ability to list the criteria used to judge comic actors.

  134. The student shall demonstrate the ability to list the qualities of the theatre as an activity.

  135. The student shall demonstrate the ability to list, at least, five theatrical crafts.

  136. The student shall demonstrate the ability to list the qualities of a play.